Thursday, 26 December 2019

Chapter 10: Book-Type Structures

Chapter 10 is all about exploring book structures.  I have used basic materials of brown envelopes and pages from vegetable catalogues (in keeping with my allotment theme) which have been painted with gesso to dull them down a bit.

10.1:

Book Forms

10.2:

Book Forms

10.3:

Book Forms

10.4:

Book Forms

10.5:  Made by cutting a piece of paper in some strategic places

Book Forms

10.6:

Book Forms

10.7: This one was also made by cutting one page

Book Forms

10.8:  I joined together my paper samples with rings

Book Forms

I can’t help but compare my dull samples with the work of others on the course which is far more exciting!  Other students have really worked into their little books but I haven’t as I have focused on the basis process of putting them together. 

Chapter 9–Edges

9.1 – from top to bottom: paper string oversewn; fabric sewn over the edge with beads added as embellishment; fabric sewn over the edge with small stitches; basic oversewn edge.

Untitled

9.2 – from top to bottom: holes punched and garden twine sewn over the edge; blanket stitch using paper string; fabric strips through punched holes

Untitled

I did find that I was a touch heavy-handed and ripped the wholes a few times. 

Chapter 7–Pulp and Woven Grids (Part 5)

I went to use my previous paper/grids for the next chapter but alas I appear to have misplaced them somewhere!  It’s a touch disappointing but was an excellent excuse to make some more!  And here they are:


7.34 – This is an earlier grid dipped in paper pulp and pressed.

Untitled

7.35 – And here’s the other side.

Untitled

7.36 – Pulled jute fibres pressed onto paper pulp.

Untitled

7.37 – Pulled fibres pressed onto a thin layer of paper pulp (hence the holes).

Untitled

7.38 – Skeleton leaves pressed onto paper pulp.

Untitled

7.39 – Close up – it looks like fields covered in snow!

Untitled

7.40 – Grid pressed into a thin layer of paper pulp.

Untitled

7.41 – Pulled threads pressed onto paper pulp.

Untitled

7.42 – A grid pressed onto paper pulp with two strips of paper pulp added to capture the fabric.

Untitled

7.43 – Close up showing where some of the edges have been pulled out of the dried pulp.

Untitled

7.44 – Grid and pulled fibres pressed onto paper pulp.

Untitled

7.45 – Close up.  The ink from the fabric has blended into the paper.

Untitled

7.46 – Grids added to paper pulp with two strips of pulp added to capture the fabric.

Untitled

7.47 – Close-up showing where I’ve pulled the edge clear of the pulp.

Untitled

7.48 – Jute sandwiched between two ‘frames’ of paper pulp which were pressed together.

Untitled

7.49 – Grid added to frame and then pulp poured on top.  Some is well-embedded but some is not.  I haven’t pulled fibres on this one to keep it flat.

Untitled

7.50 – Fabric with a pulled hole in the middle was placed on the frame and pulp was poured on top.

Untitled

7.51 – Close-up showing where I’ve pulled the edges free from the pulp.  I find I want to keep touching this piece of paper as it’s so tactile.

Untitled

Chapter 7 - Pulp and Woven Grids (Part 4)

I dipped pieces into paper pulp:

7.26 – Grid with tassels dipped in pulp

Untitled

7.27 – Grid with coils dipped in paper pulp

Untitled

7.28 - Grid with coils dipped in paper pulp (close up)

Untitled

7.29 – Hessian grid dipped in paper pulp

Untitled

7.30 - Hessian grid dipped in paper pulp

Untitled

7.31 – Pulled work sample dipped in paper pulp

Untitled

7.32 - Pulled work sample dipped in paper pulp (close up)

Untitled

7.33 – Skeleton leaves dipped in paper pulp (these are my most favourite sample of them all!)

Untitled

Chapter 7 - Pulp and Woven Grids (Part 3)

I have embedded grids into paper pulp.  A jolly enjoyable experience.

7.18 – Sheet of paper pulp, grid pressed on top, two strips of paper pulp added and then pressed

Untitled


7.19 – Pulp added to screen, grid placed onto pulp and then the sheet was pressed

Untitled


7.20 – Paper pulp added around edge of frame, grid added, pulp added on top around the edge, and then pressed

Untitled


7.21 – Paper added to screen, grid added to top, pulp added on top and bottom and then pressed

Untitled


7.22 – Grid sandwiched between two ‘frames’ of pulp

Untitled


7.23 -  Pulled threads added to the paper pulp

Untitled


7.24 – Skeleton leaf added to layer of pulp in the frame

Untitled


7.25 – Look at that loveliness!

Untitled

Chapter 7 – Pulp and Woven Grids (Part 2)

I attached existing grids to little frames and then dipped them in paper pulp.  One grid was woven from paper string and another was Aida fabric with holes created from drawn thread work.


7.15 – The grids before they were dipped
Untitled

7.16 – Wet grids after dipping in paper pulp
Untitled

7.17 – Grids once dried.  Also includes a dipped fennel seed head
Inspiration

Chapter 7 – Pulp and Woven Grids (Part 1)

I wove materials around frames and dipped them in paper pulp.  I used natural materials from my allotment (e.g. bindweed – ghastly stuff!), twine and some acrylic wool.  The pulp bonded with the natural materials very well.


7.1 – Sheet of dipped grids
Untitled

7.2 – Green jute twine (front)
Untitled

7.3 – Green jute twine (back)
Untitled

7.4 – Grass (front)
Untitled

7.5 – Grass (back)
Untitled

7.6 – Acrylic yarn (front)
Untitled

7.7 – Acrylic yarn (back)
Untitled

7.8 – Nettle stems (front)
Untitled

7.9 – Nettle stems (back)
Untitled

7.10 – Bindweed (front)
Untitled

7.11 – Bindweed (back)
Untitled

7.12 – Grass (front)
Untitled

7.12 – Grass (back)
Untitled

7.13 – Grass (front)
Untitled

7.14 – Grass (back)
Untitled

I wrapped the natural ‘fibres’ when I was up the allotment and it was lovely to work outside.