All stamps are with acrylic paint. I particularly like the yellow ochre stamping on the gold fabric - the effect is quite subtle. For a few of the samples I overstamped using bronze acrylic (see three examples below).


A place to log my C&G L3 Certificate in Embroidery work for official assessment









I got carried away and drew some more stars from my source collection (see image, left). I particularly like the image on the top right of the page, they're like two different size pins lying on their side. The star below it, with the jagged points, has movement with it I think. This is also a favourite.
ught Radiant Concentrated Watercolours! It was a happy error. To see what colours they really are I created some paper swatches with undiluted colour. What vibrant wonderful colours! Unfortunately they are not light-fast so any display images would need to be carefully protected behind UV absorbing glass, plexiglass or UVA acetate. Great for work in a sketchbook or images kept in a portfolio. It would be an interesting experiment to see how they fade... The concentrated watercolours can be made fast for use with textiles.
My collection of images is growing (see left). I've got definate groups of themes. There are beautiful crosses and stars in patterns in the tiles and stone forms at La Alhambra (from a book I bought from a charity shop), crosses in nets (fishing and tennis) and structures (the Eiffel Tower!), images of chainmail showing crosses, the criss-crossing of water fountains, and, my personal favourite - fractals (well I am a student of mathematics after all!). I've got a great book from the library on architecture and that has some wonderful structural images.
some wax crayon rubbings on thin paper. The top two are from a kitchen spatula rubbed in two different directions, the second perpendicular to the first. The left image has a tracing paper overlay with some cross shapes outlined in black pen.